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Antonello da Messina

1430-1479 Italian Antonello da Messina Galleries

Gemälde ID::  2880

Jungfrau Kündigt An
1465 Galleria Nazionale della Sicilia
der Galleria Nazionale von 1465 della Sicilia
1430-1479 Italian Antonello da Messina Galleries

   
 

 

 
   
      

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Simone Martini

1283-1344 Italian Simone Martini Locations

Gemälde ID::  29132

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mk65 Tempera on panel 12x8 1/2"
mk65 Tempera auf Unterausschuss 12x8 1/2 An
1283-1344 Italian Simone Martini Locations

   
 

 

 
   
      

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Antonello da Messina

1430-1479 Italian Antonello da Messina Galleries

Gemälde ID::  33412

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mk86 c.1475 Oil on wood 45x34.5cm Palermo,Galleria Nazionale della Sicilia
das Öl von mk86 C. 1475 auf Holz 45x34.5cm Palermo, Galleria Nazionale della Sicilia
1430-1479 Italian Antonello da Messina Galleries

   
 

 

 
   
      

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Antonello da Messina

1430-1479 Italian Antonello da Messina Galleries

Gemälde ID::  40236

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mk156 1475 Oil on panel 45x135cm
das Öl von mk156 1475 auf Unterausschuss 45x135cm
1430-1479 Italian Antonello da Messina Galleries

   
 

 

 
   
      

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Lorenzo Lotto

Italian 1480-1556 Lorenzo Lotto Galleries

Gemälde ID::  52333
Virgin Annunciate
1527 Oil on wood, 75 x 55 cm
Italian 1480-1556 Lorenzo Lotto Galleries

   
 

 

 
   
      

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MOLA, Pier Francesco

Italian Baroque Era Painter, 1612-1666

Gemälde ID::  62406
Virgin Annunciate
1608-09 Marble, over life-size Museo dell'Opera del Duomo, Orvieto Mochi first achieved fame with his Angel of Annunciation of 1603-05 for the Orvieto Cathedral, a work whose vigour and directness reflect the artist's earnestness in reformulating a conventional theme. Three years lie between the Angel of Annunciation and the Virgin Annunciate which completed the composition. Here Mochi evoked reminiscences of Rome, in particular the suavity of Mariani and the more active type of Classical statuary, but added his own flair for dramatic gestures by showing the Virgin starting from her chair. Mochi's work has sometimes been explained as a response to Caravaggio, yet it is better understood as part of a general concern with conveying emotions through external expressions, something manifests in the work of Carracci and Reni, as well as that of Caravaggio. Interestingly enough, the forcefulness of Mochi's Virgin Annunciate was not to the liking of the Bishop of Orvieto, who opposed its placement in the cathedral for three years. See also the Angel of Annunciation. Author: MOCHI, Francesco Title: Virgin Annunciate , 1601-1650 , Italian Form: sculpture , religious
Italian Baroque Era Painter, 1612-1666

   
 

 

 
   
      

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Antonello da Messina

1430-1479 Italian Antonello da Messina Galleries

Gemälde ID::  86600
Virgin Annunciate
Date c. 1476(1476) Medium Oil on wood Dimensions Height: 45 cm (17.7 in). Width: 34.5 cm (13.6 in). cjr
1430-1479 Italian Antonello da Messina Galleries

   
 

 

 
   
      

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Lorenzo Lotto

Italian 1480-1556 Lorenzo Lotto Galleries

Gemälde ID::  86918
Virgin Annunciate
Date 1527(1527) Medium Oil on wood Dimensions Height: 75 cm (29.5 in). Width: 55 cm (21.7 in). cjr
Italian 1480-1556 Lorenzo Lotto Galleries

   
 

 

 
   
      

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Piero della Francesca

Italian Early Renaissance Painter, ca.1422-1492

Gemälde ID::  91672
Virgin Annunciate
1445(1445) and 1462(1462) Medium oil and tempera on panel Dimensions Height: 54 cm (21.3 in). Width: 21 cm (8.3 in). cyf
Italian Early Renaissance Painter, ca.1422-1492

   
 

 

 
   
      

Piero della Francesca
Italian Early Renaissance Painter, ca.1422-1492
Virgin Annunciate

        
 
   
 

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